CINEMATIC EXPLORATIONS OF ENVIRONMENTAL CATASTROPHES: A COMPARATIVE ANALYSIS OF “THE IMPOSSIBLE” AND “THE DAY AFTER TOMORROW”

Shokirova Makhbubakhon

doi:10.5281/zenodo.10492838

Shokirova Makhbubakhon

Abstract. This film study looks at the portrayal of environmental disaster in two different disaster films, namely "The Impossible" and "The Day After Tomorrow". Through a critical examination of narrative structures, visual symbolism and character dynamics, the paper explores the nuanced ways in which these films navigate the delicate balance between entertainment, education and ethical considerations. The analysis highlights the pros and cons of each film and considers their contributions to the broader discourse on environmental concerns and human resilience in the context of disaster cinema. The study also highlights the evolving landscape of cinematic representation and calls for a more responsible and nuanced approach to the portrayal of environmental disasters.

Keywords: environmental disasters, disaster films, cinematic representation, comparative analysis, ethical considerations

References:

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