Abstract. This article is devoted to the period of poetic cinema, which appeared in the 60-70s of the last century, and is recognized as a unique period of renaissance in Uzbek feature films. The article provides a scientific analysis of the films "White, white storks", "Man Goes After Birds " created in the traditions of socialist realism by the brightest representatives of that period, producers A. Khamraev, E. Eshmukhammedov, cameramen D. Fatkhullin, Y. Klimenko and others. At the same time, the poetic orientation and lyricism reflected in these films are analyzed analytically. The creative research of the cameramen on the pictorial solution of films, symbolism and metaphorical elements in films are investigated there.
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